10/08/2014 § 3 Comments
Lovely bit of inspiration by way of Robert McKinley’s apartment in Chelsea, as captured by Nicole Franzen for T Magazine/NY Times. Unfamiliar with McKinley? He’s the interior designer and creative director behind places such as the Surf Lodge and Ruschmeyer’s in Montauk and the downtown outposts of Sant Ambroeus. I’m feeling inspired by the relaxed, well-worn and faintly beachy style of his space, especially the palm frond curtains and that amazing rocking chair.
So if you’ll excuse me, I’ll be stepping out shortly to track down one of those hurricane plants Please hold my calls.
08/08/2014 § 1 Comment
Every morning on my way to the train at the West 4th Street station, I pass the Porto Rico Importing Co. at 201 Bleecker Street in Greenwich Village. More of a coffee and tea store than a true coffee bar, it’s where I buy the coffee I use at home (try it out: Monsoon Malabar is my favorite). It’s usually full of bench sitters and the usual bunch of parked cars, but today I happened upon a rare moment of quiet and a break in the traffic so that I could take the shot above.
As I took the picture, an eccentric-looking older gentleman ambled by and gruffly offered his two cents: “You know, places like that are disappearing around here.” He then proceeded to point out the growing vacancies around Porto Rico, both new and old. I readily agreed with him and he eventually set off on his way down Bleecker, satisfied.
Vaguely familiar that Porto Rico has been around for some time — it does mention something about 1907 on the awning, at least — I did a bit of research and discovered that the ground floor of 201 Bleecker has been operated by the Longo family since the early 1900s, initially as a bakery and then later as the coffee and tea store we know today. The current owner-operator, Peter Longo, is the third generation to run the store, the building having been bought by his grandfather in 1905 for $5,000. Peter was born in the building, as well as his father before him.
For someone who’s only lived in the neighborhood for just over a year, it’s always exciting to learn more about longtime residents and businesses, but also to hear how the streets have changed. The next time you find yourself on Bleecker, I definitely recommend that you stop by for a pound of coffee or perhaps a new tea — because it’s true, places like this are rapidly disappearing these days.
For a fuller story on Porto Rico, Alex Witchel at the NY Times wrote a great article on Peter and the store that you should also read.
Have a lovely (caffeinated) weekend!
06/08/2014 § 3 Comments
I’m not sure how closely you follow the annual release of the Pirelli Calendar, so I’ll give you a quick rundown. Since 1964 the calendar has been known as an annual high-gloss, high-glamour affair, featuring marquee name models shot by equally notable photographers (Lindbergh, Avedon, Ritts, Testino, Sorrenti, Weber…even Richardson). It’s printed in an exceptionally limited edition and gifted to a select group of important clients and VIPs. It’s sort of like the highest possible form of those cheesy automotive calendars you might expect to see hanging in a garage – and yes, nudity is known to abound.
So why on earth are we talking about this? Glad you asked!
It turns out that this year’s edition – the 50th, if you didn’t notice already – features a beautiful plus-size model named Candice Huffine, pictured above. While purists argue she isn’t the first woman over a size 10 to appear in “The Cal,” citing Sophie Dahl in 1999 and Pollyanna MacIntosh in 2004, Huffine is being touted in the media as such. Admittedly, I was caught a bit off-guard by the announcement, but in a good way. It made me think about a few things in quick succession. First, why was I initially shocked by the idea? As if Huffine didn’t belong in a sea of nearly naked Adriana Limas and Joan Smalls, perhaps? No matter the reason, that feeling quickly gave way to excitement at this small victory in the battle to shift entrenched standards of beauty.
While Huffine is obviously super-humanly attractive, the fact that her body more closely resembles those bodies belonging to us “mere mortals” is a move in the right direction. This acceptance of a deviation from the norm ushers us to a point of reflection: what is the norm? why is this a deviation? how do we feel about that? how do we feel about our own bodies as a result? what kind of representations of beauty do we personally prefer? what kind of representations should we endorse?
This subject has inspired me to work on a new Charm School entry that touches on a subject I’m surprised I haven’t yet dealt with: body image. In the meantime, I would love to hear your thoughts on the subject of the Pirelli Calendar and Candice Huffine’s appearance in it.
Watch this space. The conversation will continue.
24/07/2014 § 3 Comments
Because one can never have too much blue on hand…right?
Clockwise from top left:
3.1 Phillip Lim Mini Pashli
Current/Elliot The Perfect Denim Shirtdress
Armand Diradourian Summer Stripe Throw
Petit Bateau Essential Stripe Bralette
J.Crew Surfboard Linen Sweater
Adidas Adilette Slides
Acne Studios Cropped Wide-leg Wool Pants
Connor Engraved Octopus Cards
Here’s to a weekend full of the good kind of blue.
And watermelon too.
21/07/2014 § 1 Comment
“Summer afternoon, summer afternoon; to me those have always
been the two most beautiful words in the English language.”
Things that have recently amused me on summer afternoons:
Discussing the proper time to “Turn Down”
11/07/2014 § Leave a comment
If you follow me on Instagram, you may have noticed a certain kind of sandal has been in heavy rotation lately. The J.Crew Malta sandal is perfect. Flat with two leather straps, they are refreshingly simple and as my friend Lani put it “as close to Birkenstocks as I’ll ever come.” Gotten for a song during their summer sale in both black and silver metallic, these beauties are a bit harder to find sizes in this late in the season, but if you can make it happen, you totally should.
Have a lovely weekend! M. xx
03/07/2014 § 3 Comments
Quiet, tailored and natural, photographer Nicole Bentley has captured exactly what I want my summer to feel like, look like, wear like…down to the wild hair and the amazing eyebrows. Have we ever discussed my lackluster brows? While my mother and sister have had to wage a lifelong battle with theirs, mine just decided to never show up. Fact: I’ve never ever had them done, ever. Rather, since I was old enough to care, I’ve filled them in using a variety techniques and have always harbored intense jealousy at those lucky to be born with “strong brows” like Jess here. I suppose the grass truly is always greener…even when it comes to eyebrows.
04/04/2014 § Leave a comment
01/04/2014 § Leave a comment
So it’s officially April and I’m feeling optimistic. Like warm weather and sunshine are just around the corner waiting for me. With the worst winter in a record 40 years, New York has felt like a purgatory since…forever. So to treat my slight case of seasonal depression I’ve prescribed myself a regular visit with these photographs by Matthew Williams for Elle Decoration UK of a gorgeous beach home in Brazil. White walls, polished floors, weathered wood, all offset by the lushness of green fronds and lazy vines.
I want, I want, I want. The only question left: who’s coming with me?
27/03/2014 § 1 Comment
Somehow, I find myself on the other side of a really jam-packed NYFW and FW14 market, with no blogging to show for it. I supposed that if I had something really amazing to share, you might let me get off with a light punishment…perhaps?
I am pleased to present the Harvey Faircloth FW 2014 look book, which I had the honor of shooting myself on Impossible Project polaroid film with a Polaroid Spectra ProCam. Different from our past look books which are much more straightforward, our aim was to capture the essence of season’s inspiration: our Creative Director Christopher Rivers’ memories and favorite places of late night New York City during the late 1980s and early 1990s (“Bright Lights, Big City”). Intimate and ephemeral, it has a undeniably voyeuristic quality — it almost feels like we’re following this girl on a nighttime prowl all over the city.
Working in Polaroid was challenging in a really great way. Because the photographs take time to develop, I had to shoot and move on in the interest of time. In an era of digital cameras and Photoshop, truly only having one chance was initially daunting but eventually liberating. I first figured out how to focus and then shortly thereafter I found a way to trust myself.
I hope you enjoy it!