QC Loves: Photographer Dara Scully

December 19th, 2011 § 2 Comments

Add one part Neverland to one part Where the Wild Things Are, add a dash of Babar the Elephant and you’ve got Spanish photographer Dara Scully.  I love how these images instantly transport you to a land where bears have birthday parties and cardboard boxes take flight.

Found here via here.

Study: Wintry Contrast

November 7th, 2011 § Leave a Comment

President Theodore Roosevelt, 1903, by John Singer Sargent.

The descent of nearly three inches of snow on New York on Halloween, had me snowbound and bundled in my bed for a good few hours, watching the swirling flurries fall from the darkened sky.  This wintry contrast was echoed when I took in a performance of 69°South at BAM this week, a dramatic interpretation of the ill-fated Endurance Expedition headed up by Sir Ernest Shackleton in 1914.  The show was an remarkably creative retelling of an amazing story of perseverance and survival, set on the barren ice floes of Antarctica. Fittingly, the stage was almost entirely white, with the dark woolens of the marionettes standing out in stark contrast.  The show immediately made me want to see the actual pictures from the expedition, taken by its official photographer, Frank Hurley.

Hurley photographing the Endurance.

Hurley’s pictures of the ship Endurance are among the most interesting to me.  The juxtaposition of the dark, hulking ship, trapped and ultimately claimed by the ice, are striking.  Everything is darkness and light.  Desperation and the stubborn emergence of life.  Snow and ice everywhere.

Initially outfitted with a full retinue of camera equipment, when the Endurance was abandoned Hurley was required to strip down his gear to the essentials.  He was left with a single vest pocket Kodak camera and three rolls of film.  He took only 38 photographs throughout the remainder of the expedition, which lasted over two years.  They, along with the 120 glass negatives he saved, document the long, difficult trip back to civilization.

Shackleton.  All Hurley photographs via State Library of New South Wales.

The wintry contrast also reminded me of one of my favorite American painters, John Singer Sargent (January 12, 1856 – April 14, 1925), and his luxurious Edwardian portraits.  Sargent, an American expat born in Italy with deep familial roots in New England, was a fabulously successful portraitist during his lifetime, capturing some of the most important figures in American and European society.  Emerging from a yawning, darkened background, Sargent often draws the viewer’s attention to a gleaming shirt collar, a bit of lace or a flash of porcelain skin…  Not unlike snow I saw, silently falling on Halloween or the vast ice floes in Hurley’s photographs.  Life emerging.  Light emerging.  Darkness and light.

The story of the impending winter months…

Alice Vanderbilt Shepard, 1888.

Caspar Goodrich, 1887.

Henry James, 1913.

Elizabeth Winthrop Chanler (Mrs. John Jay Chapman), 1893.

Edith, Lady Playfair (Edith Russell), 1884.

Homer Saint-Gaudens and his Mother, 1890.

Mrs. Joshua Montgomery Sears, 1899.

Spanish Dancer, 1880

American poet Henry Wadsworth Longfellow (February 27, 1807 – March 24, 1882) is noted for his lyrical style and was the most famous poet of his time.  Born in Portland, Maine, he no doubt was well familiar with the stark beauty of snowy winters.  I love the image of the snow as shaken from the garments of  “Air,” represented as a mythical woman in his poem Snow-flakes — so quietly sad, yet beautiful.

Snow-flakes
By Henry Wadsworth Longfellow

Out of the bosom of the Air,
      Out of the cloud-folds of her garments shaken,
Over the woodlands brown and bare,
      Over the harvest-fields forsaken,
            Silent, and soft, and slow
            Descends the snow.
Even as our cloudy fancies take
      Suddenly shape in some divine expression,
Even as the troubled heart doth make
      In the white countenance confession,
            The troubled sky reveals
            The grief it feels.
This is the poem of the air,
      Slowly in silent syllables recorded;
This is the secret of despair,
      Long in its cloudy bosom hoarded,
            Now whispered and revealed
            To wood and field.

Portrait of Madame X, 1884.

Thus, these men who were the most important in their fields — polar exploration, portraiture, and poetry — in their lifetimes, all have me thinking about the winter months that are to come.

Re-Mastered {Yves Saint Laurent, 1999}

October 7th, 2011 § 3 Comments

Le Déjeuner sur l’herbe
Edouard Manet, c. 1862

This classic Yves Saint Laurent campaign that echoes several iconic paintings, photographed by Mario Sorrenti in 1999, is a favorite of mine.  Yes, Christian Louboutin also had a more recent campaign along this same theme, but those photographs were merely exacting reproductions of the originals, with a stiletto thrown into the mix.  Pretty to look at, but not much more.  Appropriately coming from the House of Le Smoking, the YSL images are much more interesting for their deft play with the concepts of gender and gender roles.  My absolute favorite image is this first one above, based on Manet’s Le Déjeuner sur l’herbe (one of my first stops whenever visiting the Musée d’Orsay in Paris).  I’ve always wondered why the ladies were naked whilst the men were so very buttoned up.  What kind of luncheon is that?  Extra points for Kate Moss in a suit, of course…

Even more interesting is the image based on Fragonard’s Le Verrou, where a image of sex, violence and male domination is flipped on its head.  Again, with Kate Moss at the helm, it is she who is clutching a lithe youth who is shown naked — he is given no courtesy of a layered gown like the woman in the Fragonard painting — and overwhelmed.  It is Kate who is reaching up to secure the bolt on the door.  It is a woman who overpowers here, a woman who who dominates.  (Yes, we do have to cast aside the crucial fact that he very well could reach the bolt if he wanted to, unlike the woman in the Fragonard painting.)

But, wait...

Do you feel the instinct — as I do — to cast the scene differently when looking at Kate?  Do you interpret her furrowed brow as concern?  That she is she opening the door and not closing it?  That something else is happening?  Something tender?

Is this merely because the antagonist is a woman…?
Look again.  Compare the two.  How different are they, truly?

And that is why I will always, always, always prefer this campaign over a few pictures of pretty models, classically styled, with a few shoes placed at strategic intervals.

But that’s just me.

Le Verrou
Jean-Honoré Fragonard, c.1780

Olympia
Edouard Manet, c. 1863

Jeune homme nu assis au bord de la mer
Hippolyte Flandrin, c.1836

Le sommeil
Jean Désiré Gustave Courbet, c.1866

La baigneuse de Valpincon
Jean-Auguste-Dominique Ingres, c.1808

Gabrielle d’Estrées and One of Her Sisters
School of Fontainebleau, c. 1594

Vénus à son miroir
Diego Velazquez, c.1647-51

Les Trois Grâces
Jean-Baptiste Regnault, c.1799

Magdalen with the Smoking Flame
Georges de la Tour, c. 1640

La Gioconda
Leonardo da Vinci, c. 1503–1519

YSL campaign images via The Style Registry.

Burning Bright

September 28th, 2011 § Leave a Comment

Dreams of Rousseau’s  jungle scenes and Blake’s tyger.
Is it all this talk of travel and adventure…?

French painter Henri Julien Felix Rousseau (May 21, 1844 – September 2, 1910) is the most celebrated of the naïvist artists.  Largely ridiculed in his lifetime for his simplistic style, Rousseau’s fame came posthumously.

“Picasso could never have painted Guernica without that gentle innocent, Henri Rousseau.” (See: When Henri Met Pablo)

From the verdant density of the jungle, to the wide eyes of the wild cats, to the streaming mane of the woman, of the gypsy, of the horse…it is like Rousseau has a secret window into my sleeping mind.  Rousseau paints my dreams, dreams that are always just slightly too surreal to be real…

Rousseau’s final masterpiece, The Dream (1910).

[Rousseau's] …best known paintings depict jungle scenes, even though he never left France or saw a jungle. Stories spread by admirers that his army service included the French expeditionary force to Mexico are unfounded. His inspiration came from illustrated books and the botanical gardens in Paris, as well as tableaux of “taxidermified” wild animals. He had also met soldiers, during his term of service, who had survived the French expedition to Mexico and listened to their stories of the subtropical country they had encountered. To the critic Arsene Alexandre, he described his frequent visits to the Jardin des Plantes: “When I go into the glass houses and I see the strange plants of exotic lands, it seems to me that I enter into a dream.

Rousseau’s big cats have been stalking my mind.
The leopard, the lion, the tyger…

The Tyger

Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare sieze the fire?

And what shoulder, & what art.
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?

What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?

When the stars threw down their spears,
And watered heaven with their tears,
Did he smile his work to see?
Did he who made the Lamb make thee?

Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?

William Blake, 1794

Like Rousseau, English poet William Blake (November 28, 1757 – August 12, 1827) was largely unrecognized during his lifetime.  He has since been recognized as an important member of the Romantic Movement.

Quite Continental Loves: Kari Herer Photography

June 9th, 2011 § Leave a Comment

Was wandering through my Etsy favorites and noticed that Kari Herer Photography has a few new things available.  I realized I hadn’t yet posted about her lovely collection so I thought that I might show you some of my favorites and admonish you to hop over to her boutique and choose a few for yourself.  She’s simply an amazing artist.

I especially love the photographs of flowers with drawn antlers.

Gorgeous, no?  If you would like to spend a bit more time with her work, do check out her photo blog as well.

Quite Continental Loves: Frédérique Morrel

June 8th, 2011 § 1 Comment

‘My Dear’ by Frédérique Morrel

This handsome buck has been sitting in my drafts folder since January, patiently waiting for the day I would find him and share him.  Well, today is that day — mainly because the WSJ reminded me of him over the weekend.  Artist Frédérique Morrel and husband Aaron Levin are at the helm of this quirky design firm that deals mainly in tapestries and antique fabric remnants, with an inclination towards faux-taxidermy (of deer, bulls, rabbits, and people) (yes, people), seating and interesting tabletop accents.

Hop over to Frédérique Morrel for more.  She’s also on FacebookIf you decide to pick up this buck, I’ll be very jealous indeed…

Quite Continental Loves: Janet Hill Studio

February 21st, 2011 § 4 Comments

Completely in love with Janet Hill’s work this snowy morning and wanted to share with you!

All images via Janet Hill StudioFrancine And Her Frenchie

My absolute favorite!  Brings together my love of frog dogs, ballet flats, red/navy, pearls, and bicycles with baskets!  J’adore!

The Night Owl

Saturday Morning at Pemberley Flat

A pug, bloody marys, gold baroque frame with a picture of a swan, the union jack, polka dots, tulips, use of red and turquoise: it almost like this is a picture of the inside of my brain!

The Grace Kelly Purse

The Maiden Voyage

Janet Hill’s ladylike prints will be an excellent addition to the walls of my new-for-spring apartment (which I promise I will discuss in fuller detail as the project takes shape).  While I hope that I don’t regret sharing this beautiful artwork (she seems to only have a few of each print – time to buy!), I simply adore the attention to detail and her knack for picking subject matter that appeals to my idiosyncratic taste and using color palettes that have me rushing to paint my walls.  Add to that the fact that her prints on her etsy store are not exceptionally expensive (ranging from $55 to $17).  If you find that is a bit too spendy, her work is also available in card form (on her etsy INK store) which can look just as lovely when placed in a frame.

Bit of background on Ms. Hill from her website:

Janet Hill discovered her passion for painting as a teenager. With the support of her family and teachers, Janet earned a degree in Fine Art from Queen’s University in Kingston, Ontario, where she specialized in oil painting and graduated with honors. Following graduation, she spent several years working in fields unrelated to art. Deeply missing her creative life, she decided to take a leap of faith and paint full-time. She has never looked back.

Janet enjoys painting the beauty of women, interiors, and still-life. Her choice of subject matter ranges from a duchess satin gown to a humble bowl of cereal. She seeks out glamour and beauty in everything that surrounds her. Her work is displayed in private collections throughout North America, Europe, Asia, and Australia. Janet lives in the beautiful city of Stratford, Ontario, Canada. She paints in a small in-house studio where she lives with her husband John, and their cat and dog.

Don’t be surprised if you see some of these lovely images on my walls, cherie!  And do drop by Janet’s blog when you have a moment!

H/T Sugar Paper

28 Days of Classy and Fabulous Things: Day 19 – Try a Bit of High Art

February 19th, 2011 § Leave a Comment

**QC’s 28 Days**
In February I will be bringing you daily tips
to cultivate more classiness and fabulousness in daily life!
Image via LIFE, taken in 1958 by Walter Sanders.

Day 19: Try a Bit of High Art
I’m definitely of the opinion that a classy and fabulous life should include exposure to cultural experiences of the sort often referred to as “high culture” or “high art.”  Now, granted, terming specific kinds of art as “high” invites controversy and accusations of elitism.  It is not my intention to require you to snob about and attend the entire season at the PhilharmonicAu contraire! What I am modestly suggesting is that you approach high art with an open mind.  Attend the ballet at least once before deciding you hate it.  Listen to some Shostakovich and a bit of Debussy before deciding you don’t like classical music.  Be willing to experiment and you might be surprised!  (Please note, I am not suggesting that you must only enjoy stuffy baroque operas and oil paintings!  A fabulous and classy life has room for everything, even Gossip Girl.  Maybe not Jersey Shore…)

About six years ago, I had the good fortune to be introduced to the opera by a lovely friend.  I hadn’t had any exposure to the art form, but somehow I already had preconceived notions about what it was like and how much I would (not) enjoy it.  Completely preposterous!  I came away completely in love after my first performance and went on to rush the entire season — even going alone to a few performances!

Skeptical?  Think the opera is all heavyset women with viking hats screaming their heads off?  Mais, non! Witness one of the hottest duos in contemporary opera, Rolando Villazon and Anna Netrebko, preform a selection from Massenet’s Manon, “Toi! Vous!”  Luckily, I was able to see them both perform Manon at the LA Opera.  It was truly amazing!

My point here is not to merely sell you on going to the opera (do try it!) but to illustrate that your preconceived notions about “high art” might be as wrong as mine were about the opera.  And you’ll never know until you try.  Expanding your cultural horizons pure class.  Besides, what could be more fabulous than attending an opening night or a black tie gala?

Earlier: Quite Continental’s 28 Days of Classy and Fabulous Things

Impossible Choice: Paris or New York?

January 7th, 2011 § Leave a Comment

After discovering Paris vs New York, a tally of two cities, I am excitedly making plans for a select set of purchases to decorate my NYC pied-à-terre! (Okay okay, fine, it’s not a pied-à-terre since I live there all the time, but it is on the smallish and cozyish side, like a proper pied-à-terre.  So there.)

Artist Vahram Muratyan is the creator of a visually engaging series of images that draw cheeky comparisons between the two great cities (le snack, le journal, la facade, etc.,) and a select few are available for purchase at the online shop.  As someone who has been carrying around a Metro ticket from her last Paris trip, Muratyan’s images have me wistful to repeat it…and yet I’m feeling very competitive about the wonderful city where I make my home!  The solution?  Un pied-à-terre à Paris, bien sûr!

Some of my favorites are below.  Be sure to drop by his blog to see what else he comes up with!

H/T: because i’m addicted

Dior Illustrated: René Gruau and the Line of Beauty

December 23rd, 2010 § 1 Comment

While I was in London, I had the good fortune to catch the René Gruau exhibition at the Somerset House.  If you are able to make it there before it closes, you must go!  Gruau was a renowned fashion illustrator who was a creative collaborator and close friend of Christian Dior.  Gruau’s campaigns for the Dior perfumes are among his most notable work as an artist.  Gruau’s style was modern, elegant and frequently a bit mischievous.  His haute couture illustrations for the pages of magazines like Marie Claire, Vogue and Harper’s Bazaar changed the way that fashion designers and their designs were publicized.  Today’s fashion editorials owe a deep debt to illustrators like Gruau.

Unfortunately photography was forbidden inside, but the Somerset House has posted a brief film about the exhibition, which is the first showing of Gruau’s work in London.

Runs through Jan 9.
Somerset House – Strand London WC2R 1LA – Tel: +44 (0)20 7845 4600

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